Features in this Issue
Focus: Studio Tours
CM looked into why studio tours work (when they work) and why they may sometimes not work. We polled the organizers and participants of twelve studio tours to ascertain their best practices, their successes, and their downfalls. The good news is: it's mostly good news!
On the cover: Platter with abstract floral painting, 14 in. (36 cm) in diameter, with wax-resist brushwork and Iron Saturated Alkaline Frogskin Glaze, by Matt Jones, Leicester, North Carolina. Photo: Tim Barnwell.
In This Issue
